#Utopia tv show series

They’ll stop at nothing to retrieve the item. Both are psychotic and have a facility for torture the latter seems especially… off, given his shuffling walk, childlike nature, and constant snacking on raisins. And this unpublished graphic novel may have clues hidden in its pages that foretell of a truly devastating pandemic that has not happened yet. The part about the clues “predicting” real-life viral outbreaks? It’s true. Worst-case scenario, they each get a brief look at this coveted item and meet each other for the first time in person.Īctually - funny story - there is an even–worse-case scenario, in which a powerful, secret organization is keen to get its hands on the book and is willing to kill everyone who’s so much as laid eyes on it.

They agree to all meet in the Windy City and pool their resources to purchase Utopia. A chance to bid on this rarity is set up during a convention in Chicago, which attracts the attention of a five-person, online-forum group devoted to Dystopia: Samantha (Jessica Rothe), a eco-activist groundskeeper Ian (Dan Byrd), a nerdy office worker Becky (Ashleigh LaThrop), a twentysomething student who flirts with Ian a lot a conspiracy theorist named Wilson Wilson ( You’re the Worst‘s Desmin Borges) and Grant (Javon Walton), who, unbeknownst to the group, is only 13 years old. When the manuscript for this single-issue sequel shows up in some rando’s cluttered garage, however, the comic community goes crazy.

#Utopia tv show series

Such nonsense was dismissed as the crazy ramblings of crackpots - as was the unsubstantiated rumor that there was an unseen, unpublished coda to the series titled Utopia. And if you looked closely at the artwork, some die-hards suggested, you could find clues and symbols that somehow predicted a host of pandemics, from Ebola to SARS. The girl escaped the father was did not, and was forced to create horrible biological agents for his kidnapper. It told the story of a young heroine and her scientist father, held captive by a humanoid bunny named Mr. In the beginning, there was merely Dystopia: a wild, phantasmagoric comic that was birthed from the clearly disturbed mind of a mysterious creator. It’s as if someone went to great pains to restore a classic car, added their own custom interior, and then forgot to fill up the tank with gas. The problem is that, even with its end-of-the-world urgency, this Utopia still feels sluggish, muddled, unfinished. Borrowing the central premise and a few key details of the original, Flynn has crafted a domestic version that blends the source material and her own thematic obsessions. The irony is that regardless of the general public’s mood, you end up with frustrating mediocrity either way. It could either be the greatest timing for the series to hit (over-the-top escapism that seems eerily synced up to the Year of Our Eternal Shitshow 2020!) or the absolute worst possible moment to unleash this on an audience (see previous parenthetical).